Monday, August 31, 2015

Vol. 436: "Nearer, Still Nearer"




  1. "Nearer, still nearer, close to Thy heart, Draw me, my Savior, so precious Thou art; Fold me, O fold me close to Thy breast, Shelter me safe in that haven of rest, Shelter me safe in that haven of rest.
  2. "Nearer, still nearer, nothing I bring, Naught as an off'ring to Jesus my King, Only my sinful, now contrite heart; Grant me the cleansing Thy blood doth impart, Grant me the cleansing Thy blood doth impart.
  3. "Nearer, still nearer, Lord, to be Thine; Sin, with its follies, I gladly resign, All of it pleasures, pomp and its pride; Give me but Jesus, my Lord crucified, Give me but Jesus, my Lord crucified."
  4. "Nearer, still nearer, while life shall last, Till safe in glory my anchor is cast, Thro' endless ages, ever to be Nearer, my Savior, still nearer to Thee, Nearer, my Savior, still nearer to Thee."
(Words and Music by Lelia N. Morris)
First of all, as we go by our Prime Directive "checkoff list", we can see that this is 1) a hymn as a song of praise and supplication that teaches/reminds (admonishes) us of our Lord' willingness to bless, and 2) a spiritual song that it is intended to cultivate feelings of spiritual devotion.


This is one of perhaps a thousand or so hymns and songs that Mrs. Lelia Morris (1862-1929) wrote in her lifetime.  Encouragement for her to write hymns came from Henry Gilmour who penned the words to the song "The Haven of Rest".  Even when her sight had grown dim almost to the point of blindness, she was still composing more songs, aided by a 28-foot blackboard (complete with musical staffs) that her family had crafted for her to continue her work.

Every verse begins with the supplication which is also the title of the song.  In many places in God's Word, the concept of drawing near to God is not simply a good idea: it is the ideal!  Asaph the psalmist says, "But for me it is good to be near God; I have made the Lord God my refuge, that I may tell of all your works" (Ps 73:28).   James even commands that we "[d]raw near to God, and he will draw near to you. Cleanse your hands, you sinners, and purify your hearts, you double-minded" (James 4:8).  Paul in his letter to the Ephesians even mentions how Jesus drew us near to Him: "But now in Christ Jesus you who once were far off have been brought near by the blood of Christ" (Eph 2:13).  King David even gives a good hint about how one may draw near to the Lord: "The Lord is near to all who call on him, to all who call on him in truth" (Ps 145:18).  It should also be noted, as has been mentioned in earlier commentaries, it is possible, once one has drawn near to God, to unfortunately draw away from Him.  But hope is not lost, because return is possible, as the prophet says, "Therefore say to them, Thus declares the Lord of hosts: Return to me, says the Lord of hosts, and I will return to you, says the Lord of hosts (Zechariah 1:3)."

[Given the nature of drawing near to God, such a topic demands focus in its own commentary outside of hymn topics; once this work is complete, I shall provide a link to it.]
In the first verse, it begins, "Nearer, still nearer, close to Thy heart, Draw me, my Savior, so precious Thou art; Fold me, O fold me close to Thy breast."  It may seem odd to note that if one holds somebody "close to [one's] breast" that they would be "close to [that person's] heart".  And yet, being close to one's breast was considered a place of honor in Bible times.  The disciple whom Jesus loved was in this position at table at His last supper (John 13:23).  It was where Lazarus was found (in Abraham's bosom) after the angels took his spirit after death (Luke 16:19ff) in stark contrast both to the position he held in life as well as the position of the rich man who entered torment upon death.  It is also interesting to note the end of the first verse of the song: "Shelter me safe in that haven of rest".  In the original versions of this song, "haven of rest" was in quotes as a reference to what was then a popular hymn, "The Haven of Rest", written by Henry Gilmour. 
The second verse reads,"Nearer, still nearer, nothing I bring, Naught as an off'ring to Jesus my King, Only my sinful, now contrite heart; Grant me the cleansing Thy blood doth impart...."  This is in reference to King David's writing in the 51st Psalm: "The sacrifices of God are a broken spirit; a broken and contrite heart, O God, you will not despise (Ps 51:17)."  As we saw this verse mentioned in "Have Thine Own Way, Lord", it may be time for this author to note any other instances of its use (three instances make a trend line, after all).

The third verse begins by admitting a desire to put away sin.  "Nearer, still nearer, Lord, to be Thine; Sin, with its follies, I gladly resign, All of it pleasures, pomp and its pride."  Of course, the pleasures of sin are fleeting (Heb. 11:24-25).  And as I look up the definition of the word "pomp", sin does seem to vainly display it's alleged dignity or importance.  Also, pride seems to be one of the main things that keeps many from giving up sin.  And as James and Peter have both told us, "God opposes the proud, but gives grace to the humble."  Paul even compares our putting away of sin to crucifying the "old self" of sin.  "We know that our old self was crucified with him [Jesus] in order that the body of sin might be brought to nothing, so that we would no longer be enslaved to sin.  For one who has died has been set free from sin (Rom 6:6,7)[Verse 7 seems to be a good set up for the final verse of this song, as well!]."  The final line of this verse seems to allude to an Isaac Stern hymn, "When I Survey the Wondrous Cross".  "Give me but Jesus, my Lord crucified" is reminiscent of the second verse of Stern's hymn, "Forbid it, Lord, that I should boast Save in the death of Christ my Lord."  This of course alludes to Paul's statement to the Galatians:"But far be it from me to boast except in the cross of our Lord Jesus Christ, by which the world has been crucified to me, and I to the world (Gal 6:14)."

The final verse looks forward to the day when one's proximity to the Lord is at it's peak ("Nearer, still nearer, while life shall last...").  Many times we hear people say, "At least I'm walking on top of the grass, sure beats the alternative!"  Paul the apostle obviously disagreed with this notion as he told the church in Philippi: "For to me to live is Christ, and to die is gain (Phlp 1:21)."  Besides this, as the psalmist tells us, "Precious in the sight of the Lord is the death of his saints (Ps 116:15)." It is also interesting to note how the next line in this verse is phrased: "Till safe in glory my anchor is cast."  This seems to allude to Mr. Gilmour's song again because the first line of the chorus says, "I've anchored my soul in the Haven of Rest...."  And of course, the last half of this verse speaks of the joy that awaits on the other side while "Thro' endless ages" we are "ever to be Nearer, my Savior, still nearer to Thee...," thus looking forward to the gain we have upon death, if we've been faithful, as we mentioned Paul's thoughts on this earlier.
As always, I welcome your thoughts…

Monday, August 24, 2015

Vol. 293: "I'll Live for Him"





  1. "My life, my love, I give to Thee, Thou Lamb of God who died for me; O may I ever faithful be, My Savior and my God!
  2. "I now believe Thou dost receive, For Thou hast died that I might live; And now henceforth I'll trust in Thee, My Savior and my God!
  3. "O Thou who died on Calvary, To save my soul and make me free; I'll consecrate my life to Thee, My Savior and my God!
Chorus-- "I'll live for Him who died for me, How happy then my life shall be! I'll live for Him who died for me, My Savior and my God!"

(Words by Ralph E. Hudson; Music by C. R. Dunbar)
As we begin again with our Prime Directive "checkoff list", we can see that this is a psalm of praise extolling Jesus' name and the work He did (particularly on the cross), even teaching about that work.  And it is a spiritual song intended to inspire feelings of spiritual devotion and to bring the spirit of man under control of the Spirit of God.  
Ralph Hudson (1843-1901) served in the Union Army during the American Civil War as a male nurse in a Union hospital.  After his discharge from military service he taught music at the Mount Union College in Alliance, Ohio, becoming a professor there, even establishing his own music publishing company.  He was a strong prohibitionist and published The Temperance Songster in 1886.
This song seems to be more of a confession of faith as well as a promise of devotion to consecrate one's life to the Lamb of God.  And although it is not filled entirely with Biblical references, many of them repeated, there are some items in this song that are noteworthy.
It begins with the promise of devotion, "My life, my love, I give to Thee, Thou Lamb of God who died for me; O may I ever faithful be, My Savior and my God!"  Jesus certainly is the Lamb of God (John 1:29) Who died for all people (2 Corinthians 5:15).  Much of this is repeated in the second verse: "I now believe Thou dost receive, For Thou hast died that I might live; And now henceforth I'll trust in Thee, My Savior and my God!"  Would that we could all be faithful and trusting to such a One Who gave so much for us!
The third verse says, "O Thou who died on Calvary, To save my soul and make me free; I'll consecrate my life to Thee, My Savior and my God!"  Although the writer is correct that Christ's death on Calvary saves our souls and frees us from sin, we are made slaves to God as Paul tells us in Romans 6:22.  But the rewards of such service to such a Master pales in comparison when you consider that the fruit we get "leads to sanctification and its end, eternal life."  By consecrating our lives to Him, we see what Paul again tells us, this time in Titus 2:11-12, that "the grace of God has appeared, bringing salvation for all people, training us to renounce ungodliness and worldly passions, and to live self-controlled, upright, and godly lives in the present age."
As the chorus says, "I'll live for Him who died for me, How happy then my life shall be! I'll live for Him who died for me, My Savior and my God!"  Again, would that we could all live for Him as we should.  As Paul again tells us in Romans 14:8, "[I]f we live, we live to the Lord, and if we die, we die to the Lord. So then, whether we live or whether we die, we are the Lord’s."
Again, I welcome your thoughts…


Vol. 348: "Jesus is All the World to Me"






  1. "Jesus is all the world to me, My life, my joy, my all; He is my strength from day to day-- Without Him I would fall.  When I am sad to Him I go; No other one can cheer me so; When I am sad, He makes me glad: He's my Friend.
  2. "Jesus is all the world to me, My friend in trials sore; I go to Him for blessings and He gives them o'er and o'er.  He sends the sunshine and the rain; He sends the harvest's golden grain; Sunshine and rain, harvest of grain: He's my Friend.
  3. "Jesus is all the world to me, And true to Him I'll be; O how could I this friend deny, When He's so good to me?  Following Him I know I'm right, He watches o'er me day and night; Following Him, by day and night: He's my Friend.
  4. "Jesus is all the world to me, I want no better friend; I trust Him now, I'll trust Him when Life's fleeting days shall end.  Beautiful life with such a Friend, Beautiful life that has no end; Eternal life, eternal joy: He's my Friend."
(Words by Will L. Thompson)
Beginning with our Prime Directive "checkoff list", we can see that this is a psalm of praise extolling God's power and work and a hymn that teaches our dependence on Him and His willingness to bless.  
Will L. Thompson (1847-1909) earned a degree in business from Alliance College in Alliance, Ohio (no doubt influenced by his father who was a successful merchant), but had shown an interest in music from an early age, having written several songs before graduating high school.  He furthered his musical education, graduating from the New England Conservatory of Music as well as studying music in Leipzig, Germany.
As a young man, Thompson sent a package of four songs to a publisher, requesting payment of $100 for the entire package.  When the publisher responded with a counter-offer of $25, Thompson declined.  Since he couldn't get what he considered to be a fair price for his music, he decided to go into business for himself and started a music store in East Liverpool in association with his father's business.  He also went into the mail order business, selling sheet music and music books.  He became successful with this, so much so that he became known as the millionaire "Bard of Ohio."
While attending an evangelistic meeting, he decided to devote himself to writing, selling, and promoting Christian music.  In 1880, he wrote "Softly and Tenderly", which became popular rather quickly as a hymn of invitation.  "Jesus is All the World to Me" achieved similar popularity soon after it's writing in 1904.
This song does seem to make some rather lofty claims, so we should see how well they match with Scripture.
Every verse begins with "Jesus is all the world to me," and the first verse continues with "my life, my joy, my all."  I believe we can assign this as artistic license, demonstrating how important the Lord is (or at least should be) in one's life.  The verse continues, "He is my strength from day to day, Without Him I would fall."  First of all, it is safe to say that Jesus is God (John 17:11; Philippians 2:5-6) and as we learned from the song "Let Him Have His Way with Thee", we learn from Jude 24 and 2 Peter 1:5-10 (emphasis on verse 10) that He is able to keep us from falling.  The verse goes on to say, "When I am sad, to Him I go; no other One can cheer me so; When I am sad, He makes me glad!"  As we also discussed in "Follow Me," Jesus does still speak to us through the Bible (John 16:12-13; 2 Timothy 3:16-17; 2 Peter 3:15-16), so we can "go to Him" through His Word to receive encouragement (cheer).
The second verse describes the Lord as, "My friend in trials sore," and goes on to say, "I go to Him for blessings and He gives them o'er and o'er.  He sends the sunshine and the rain; He sends the harvest's golden grain; Sunshine and rain, harvest of grain."  As was mentioned earlier, since Jesus is God, He also sends sunshine and rain (Matthew 5:45-46) [I'm not certain if "[going] to Him for blessings" is akin to prayer; as I understand it, we pray to God the Father by the authority of and through Jesus (John 14:6; 15:16); this is part of the problem I have with songs like "Have a Little Talk with Jesus" and "Tell It to Jesus Alone"; if I am mistaken on any of these points, I do ask for clarification, please].
In the third verse, the promise is made that "true to Him I'll be."  However, when the line is sung, "Oh, how could I this friend deny, When He's so good to me?" I hope it is rhetorical; after all, we do have the example of Peter (Matthew 26:69-75; Mark 14:66-72; Luke 22:54-62; John 18:15-18, 25-27).  But the verse goes further: "Following Him, I know I'm right; He watches o'er me day and night; following Him by day and night."  Again, Jesus is God, so He does not sleep (Psalm 121:4) and He is constantly praying to the Father for us, interceding on our behalf (John 17:9, 20-21). 
The final verse makes an exceptionally good promise: "I want no better friend.  I trust Him now, I'll trust Him when Life's fleeting days shall end."  It also looks forward to a "Beautiful life with such a friend, Beautiful life that has no end; Eternal life, eternal joy."  The promise can be verified by what Jesus told John in Revelation 2:7, 10, 17 and Revelation 21:1-7: eternal joy awaits us if we have been faithful.
This brings me to the final statement which closes every verse of this song, and considering we are singing about Someone who helped create all that there is, it is quite a lofty claim: "He's my friend."  This could seem presumptuous, possibly bordering on arrogance, as anyone can claim to be a friend of somebody else.  But can that claim be reciprocal, particularly in this case?  Can Jesus call us friend?
Fortunately, the Messiah Jesus Himself gives this answer in John 15:14: "You are my friends if you do what I command you."  And as we saw in our analysis of the last stanza, if we do as He commands us and we are faithful to the point of death, we will get to see "eternal life, eternal joy" with Him, our Friend.
As always, I welcome your thoughts…

--updated 8/31/2015


Friday, August 14, 2015

Vol. 197: ”Have Thine Own Way”






  1. "Have Thine own way, Lord! Have Thine own way! Thou art the Potter, I am the clay! Mold me and make me After thy will, While I am waiting, Yielded and still.
  2. "Have Thine own way, Lord! Have Thine own way! Search me and try me, Master, today! Whiter then snow, Lord, wash me just now, As in Thy presence Humbly I bow.
  3. "Have Thine own way, Lord! Have Thine own way! Wounded and weary, Help me, I pray! Power, all power Surely is Thine! Touch me and heal me, Savior divine.
  4. "Have Thine own way, Lord! Have Thine own way! Hold o'er my being Absolute sway! Fill with Thy Spirit Till all shall see Christ only, always, living in me.
(Words by Adelaide A. Pollard; Music by George C. stebbins)
Yet another classic hymn that has been sung among the brotherhood for several years.

First of all, as we go by our Prime Directive "checkoff list", we see a unique situation (at least unique for all the commentaries that have been done here so far) where this song fits all three categories! It is a psalm (for extolling God's power [particularly in the 3rd verse] and His work), a hymn (being a song of supplication), and a spiritual song (intended to inspire or cultivate feelings of spiritual devotion and bring the spirit of man under control of the Spirit of God).  That seems to be quite a bit to pack into one song!



Adelaide Pollard wrote many hymns during what is referred to as the the Moody-Sankey era (something this author needs to research further) but never desired recognition for them.  No one is certain how many hymns she wrote, because she very seldom signed her name to them.  As Warren Shiver writes in his work "Stories Behind the Hymns":
  • Adelaide Pollard was forty-five years old when in 1907 she visited a prayer meeting, where she was inspired to write her most famous hymn. It was a simple phrase from a simple but sincere prayer that impressed her. For in offering her prayer, an elderly woman omitted the usual beseeching of the Lord to shower blessings upon her and the prayer meeting group, but instead she told God that it didn’t matter what he brought into their lives, but “Just have your own way with us”. As Adelaide left the prayer meeting that night the phrase from that prayer, “Have Thine own way”, rang in her mind. On the way home she formed the lyrics in her mind and before going to bed that night, she wrote the words on paper.  Shortly afterwards, George Coles Stebbins set the words to music, and “Have Thine Own Way, Lord,” was ready for the Christian world, and all because of a simple phrase in a simple prayer.
Every verse begins with the simple supplication that is also the title of the song: "Have Thine own way, Lord!  Have Thine own way!"  The first verse goes further to state that "Thou art the Potter, I am the clay!"  This is reminiscent of when the prophet was commanded to go to the potter's house where the Lord would speak to him in Jeremiah 18.  While there, he sees a potter working on a vessel that had been spoiled during its crafting and begins to rework it into another vessel "as it seemed good to the potter to do" (Jer 18:4).  God then tells Jeremiah that when He promises destruction or some other judgment on any rebellious people, if they repent and change their hearts and minds, then He too will repent and spare them (unfortunately, the opposite is true for any people promised good tidings if they become rebellious!).  The apostle Paul goes further with this parable illustration when he asks, "Who are you, O man, to answer back to God? Will what is molded say to its molder, 'Why have you made me like this?'  Has the potter no right over the clay, to make out of the same lump one vessel for honorable use and another for dishonorable use?" (Rom 9:20-21).  So it only makes sense when the hymn writer continues by requesting the Lord to "Mold me and make me After Thy will, While I am waiting, Yielded and still."  Would that we could all be molded by Him into vessels of honorable use!

In the second verse, after the title introduction, the song writer makes certain requests of the Lord similar to King David's requests in the 51st and 139th Psalms.  "Search me and try me, Master, today (Psalm 139:23-24-- "Search me, O God, and know my heart!  Try me and know my thoughts!  And see if there be any grievous way in me, and lead me in the way everlasting!")!  Whiter than snow, Lord, Wash me just now (Psalm 51:2, 7-- "Wash me thoroughly from my iniquity, and cleanse me from my sin!...  wash me, and I shall be whiter than snow."), as in Thy presence humbly I bow (Psalm 51:16, 17-- "For you will not delight in sacrifice, or I would give it; you will not be pleased with a burnt offering.  The sacrifices of God are a broken spirit; a broken and contrite heart, O God, You will not despise.")."

In the third verse, the writer oscillates between supplication and praise.  Request: "Wounded and weary, Help me, I pray!" (see notes for this in the last line, "Touch me and heal me....")  Praise: "Power, all power Surely is Thine!" (Psalm 62:11; 1Tim 6:15-16Request: "Touch me and heal me, Savior divine." (There are many examples of the Lord healing people, and as John says in closing his own book, if every one of them was recorded this world could not contain such a book [John 21:25].  But perhaps the sentiment born out by the writer of this song is best described by then-blind Bartimaeus in Mark 10:47 when he cries out, "Jesus, Son of David, have mercy on me!")

The last verse makes two final requests.  The first one, "Hold o'er (over) my being Absolute sway!" means to have complete rule of me.  Paul even goes so far as to implore that we present ourselves as living sacrifices (our "reasonable service", Romans 12:1).  By sacrificing ourselves, we are giving ourselves completely to God.  The second request is "Fill with Thy Spirit Till all shall see Christ only, always, Living in me."  Although being filled with the Spirit seems to take on a miraculous connotation, one can read in Ephesians 5:17 onward and other supporting verses that such is not the case (and God told us through Paul that miracles[e.g.-- prophecies, tongues, etc.] would end when that which is perfect had come, 1 Corinthians 13:10).  He begins by warning us not to be "foolish, but understand what the will of the Lord is."  And he continues to caution us "not [to] get drunk with wine,...but be filled with the Spirit."  Paul reminds us that it is written:
  • "What no eye has seen, nor ear heard, nor the heart of man imagined, what God has prepared for those who love him"- these things God has revealed to us through the Spirit. For the Spirit searches everything, even the depths of God. For who knows a person's thoughts except the spirit of that person, which is in him? So also no one comprehends the thoughts of God except the Spirit of God. Now we have received not the spirit of the world, but the Spirit who is from God, that we might understand the things freely given us by God. And we impart this in words not taught by human wisdom but taught by the Spirit, interpreting spiritual truths to those who are spiritual (1 Corinthians 2:9-13).
During the first century, the Spirit imparted the will of God directly to the Apostles and anyone else whom He decided to inspire (2 Peter 1:19-21). Now that the Word of God is complete (1 Corinthians 13:10), men are not inspired with new revelation anymore, no longer being filled with the Spirit in that way.  Instead, we have the Word to read and by which to receive revelation, this Word being written by these inspired men (2 Peter 1:19-21) who wrote these things being given dictation, as it were, by the Spirit (2 Timothy 3:16-17).  Therefore, we receive a filling of the Spirit through the reading of the Word.
And of course, our goal as Christians is for all to see Christ living in us.  When we put on Christ via water immersion (aka- baptism), we are immersed into His death (Rom 6:3), as such we are "crucified with Christ" as Paul reminds us in Galatians 2:20; "nevertheless, [we] live, yet not [we] but Christ lives in [us]"!
Again, I welcome your thoughts…

Friday, July 24, 2015

Vol. 150: ”Follow Me”








  1. "I travelled down a lonely road and no one seemed to care/  The burden on my weary back had bowed me to despair/ I oft complained to Jesus how folks were treating me/ And then I heard Him say so tenderly,/ 'My feet were also weary upon the Calv'ry road;/ The cross became so heavy, I fell beneath the load,/ Be faithful weary pilgrim, the morning I can see, /Just lift your cross and follow close to Me.'
  2. "'I work so hard for Jesus,' I often boast and say,/ 'I've sacrificed a lot of things to walk the narrow way,/ I gave up fame and fortune; I'm worth a lot to Thee,"/ And then I hear Him gently say to me,/ 'I left the throne of glory, and counted it but loss,/ My hands were nailed in anger upon a cruel cross,/ But now we'll make the journey with your hand safe in Mine,/ So lift your cross and follow close to Me.'
  3. "O, Jesus, if I die upon a foreign field some day,/ 'Twould be no more than love demands, no less could I repay,/ 'No greater love hath mortal man than for a friend to die'/ These are the words He gently spoke to me,/ 'If just a cup of water I place within your hand,/ Then just a cup of water is all that I demand.'/ But if by death to living they can Thy glory see,/ I'll take my cross and follow close to Thee."
(Written by Ira F Stamphill; Copyright 1953 Singspiration/ASCAP)
This is another classic hymn that has been sung among the brotherhood for several years.

First of all, as we go by our Prime Directive "checkoff list", we can see that this is a spiritual song that it is intended to cultivate feelings of spiritual devotion, and also admonishes by urging us to duty and reminding us of the duty we have to take up our crosses and follow the Savior.
 The format is simple enough.  Each verse begins with the singer giving an example of his/her own life, whether it be maltreatment being suffered as a Christian, the allurement to boast about how well one is carrying out his/her duties to God and Christ, or even a restating of one's commitment to "be faithful until death" as John tells us to do in Revelation 2:10.
Those introductions are followed by an "answer" from Jesus in regards to all of these.  Granted, Jesus does not speak to us directly today (hasn't for the last nineteen centuries or so), but He does speak to us by the Word of God through the dictation of the Holy Spirit (John 16:12-13) to the inspired writers (2 Timothy 3:16-17; 2 Peter 3:15-16).  Now that we have that cleared up, we can verify if what the composer writes for each answer is in tune either with what Jesus actually said or with Scripture.
  1. As the singer complains about how ill-treated he/she is by the folks around him or her, Jesus answers "so tenderly", "My feet were also weary upon the Calv'ry road;/ The cross became so heavy, I fell beneath the load (although He didn't actually state this, it is an accurate account of what happened during His crucifixion: John 19:17-18; Matthew 27:32; Luke 23:26),/ Be faithful weary pilgrim, the morning I can see (another allusion to what Jesus told John in Revelation 2:10: "Be faithful until death, and I will give you the crown of life"), / Just lift your cross and follow close to Me."
  2. As the singer brags this time about his service to Christ, even going so far as to say, "I'm worth a lot to Thee," Jesus retorts ("gently" as the verse states), "I left the throne of glory, and counted it but loss,/ My hands were nailed in anger upon a cruel cross (this is definitely in keeping with what we are told in Heb 2:9, that "we do see Him who was made for a little while lower than the angels...because of the suffering of death crowned with glory and honor, so that by the grace of God He might taste death for everyone"),/ But now we'll make the journey with your hand safe in Mine (although it is not phrased exactly this way, Philippians 4:13 does remind us that we can do "all things through Christ Who strengthens [us]"),/ So lift your cross and follow close to Me."
  3. The singer begins by stating that he or she has no fear of death for His cause, even quoting the Lord from John 15:13 when He said,"Greater love has no one than this, that one lay down his life for his friends."  Then Jesus answers:
    • This is where I have personally had problems.  I doubt that there is a search engine for any web browser that will locate a book/chapter/verse location where Jesus is quoted as saying,"If just a cup of water I place within your hand, then just a cup of water is all that I demand."  Obviously, the writer of this song took some artistic license with this, so now we are left to determine if the scriptural integrity of this song holds out.
    • I have the church of Christ in Fremont, CA to thank for much of what I have written here.  They wrote rather extensibly on this song and a copy of that can be found at http://fremontchurchofchrist.org/Follow%20Me.pdfIn this particular part of the song, they show that one way we could look at this would be from Mark 9:41 where Jesus says,"For whoever gives you a cup of water to drink because of your name as followers of Christ, truly I say to you, he will not lose his reward."  This seems to parallel Matthew 10:42 where Jesus says that "whoever gives one of these little ones even a cup of cold water because he is a disciple, truly, I say to you, he will by no means lose his reward."  In Matthew's account, Jesus prefaces that statement by saying that "whoever receives you receives Me, and whoever receives me receives Him who sent Me.  The one who receives a prophet will receive a prophet's reward, and the one who receives a righteous person because he is a righteous person will receive a righteous person's reward."  I find it a stretch to link these verses with Jesus' alleged statement in the song of Him giving you a cup of water and would have to disagree with them here.
    • On the other hand, Jesus did say,"For to everyone who has will more be given, and he will have an abundance.  But from the one who has not, even what he has will be taken away (Matthew 25:29)," and, "Everyone to whom much was given, of him much will be required, and from him to whom they entrusted much, they will demand the more (Luke 12:48)."  Jesus' alleged statement of "just a cup of water is all that I demand" seems more in tune with these actual statements of His, but seems...too delicate for what Jesus would tell us today.  In Mark 10:39, Jesus told James and John, "The cup that I drink you will drink, and with the baptism with which I am baptized, you will be baptized (and they both saw that fulfilled, in Acts 12:1,2 and Revelation 1:9)."  In essence, it can be said that "Everyone to whom [a cup of water] was given, of him [a cup of water] will be required," but since Jesus promised us that we would see persecution for His cause (John 15:20), I have a feeling that "just a cup of water" is the same cup from which He drank (in essence, the "Holy Grail" is to suffer persecution for the One Whose Name we wear!).  So, if we do take that cup, then we, too, can sing, that "if by death to living, they can Thy glory see, I'll take my cross and follow close to Thee (Luke 9:23; 2 Timothy 4:6-8).
Note also that each verse of the song closes with the thought of taking up our crosses and following Him (verses 1 & 2, by commandment; verse 3, by following the command).  Jesus did say, "If anyone would come after me, let Him deny himself and take up his cross daily and follow me (Luke 9:23)."  As a slight antithesis, Jesus says that "whoever does not take his cross and follow me is not worthy of me (Matthew 10:38)".
Let us, then, be ready to take up the cross, drink the cup with which He has entrusted us, and follow Him!
Again, I welcome your thoughts…

Vol. 001: ”A Beautiful Life”






  1. "Each day I'll do a golden deed, By helping those who are in need; My life on earth is but a span, And so I'll do the best I can. (Chor) 
  2. "To be a child of God each day, My light must shine along the way; I'll sing His praise while ages roll, And strive to help some troubled soul. (Chor)
  3. "The only life that will endure, Is one that's kind and good and pure; And so for God I'll take my stand, Each day I'll lend a helping hand. (Chor)
  4. "I'll help someone in time of need, And journey on with rapid speed; I'll help the sick and poor and weak, And words of kindness to them speak. (Chor)
  5. "While going down life's weary road, I'll try to lift some trav'ler's load; I'll try to turn the night to day, Make flowers bloom along the way.
Chor) "Life's evening sun is sinking low, A few more days and I must go, to meet the deeds that I have done, Where there will be no setting sun."
(Words and Music by William M. Golden)

As I have learned more about Boy Scouts in the last few years of my son being one (more than I did growing up as I never was in Scouts), I find myself referring to this number as "The Boy Scout Hymn".  After all what is the Scout Oath? "On my honor, I will do my best To do my duty to God and my country and to obey the Scout Law; To help other people at all times."  Then of course there is the Boy Scout slogan, "Do a good turn (deed) daily," mirrored by the opening words to this song:"Each day I'll do a golden deed/By helping those who are in need...."

Again let's begin with our Prime Directive "checkoff list": it seems this is more of a spiritual song intended to inspire or cultivate feelings of spiritual devotion as it admonishes by reminding us, perhaps even urging us, to the duty we have to help others where and when we can, fulfilling the law of Christ to "bear one anothers burdens" (Gal. 6:2).

 It is interesting how it alternates between urging us to duty and reminding us that our time to do so here on this planet is brief.  As we begin in the first verse, we basically state that we will do a good deed daily, but immediately turn and mention how short a time we have.  And each successive verse continues alternating between those thoughts from that point, even mentioning how "[our] light must shine along the way," so much so that we can "try to turn the night to day" (and frankly, if we can reflect the light of Christ in that manner, it's not beyond reason that we could, poetically speaking of course, "make flowers bloom along the way").

But even the chorus reminds us of the brevity of time we have here, and even if we live several years or even decades beyond this point, it is almost as if we have but "a few more days" before "[we] must go".  Placing it further in perspective, when we do go, we will "meet the deeds...[we] have done" in a place where, as we are promised, "there will be no setting sun," an allusion to two things John wrote about in Revelation: 1) what was said by the voice he heard in Revelation 14:13: "'Write this: Blessed are the dead who die in the Lord from now on.' 'Blessed indeed,' says the Spirit, 'that they may rest from their labors, for their deeds follow them!'" and 2) the fact that "the city has no need of sun or moon to shine on it, for the glory of God gives it light, and its lamp is the Lamb. By its light will the nations walk, and the kings of the earth will bring their glory into it, and its gates will never be shut by day—and there will be no night there (Rev 21:23-25)."  Definitely something to look forward to.

As always, I welcome any additional thoughts…

Thursday, June 11, 2015

Vol. 111: "Come We That Love the Lord" ("We're Marching to Zion")








  1. "Come we that love the Lord/ And let our joys be known/ Join in a song with sweet accord/ Join in a song with sweet accord/ And thus surround the throne/ And thus surround the throne. (Chor) 
  2. "Let those refuse to sing/ Who never knew our God/ But children of the Heavenly King/ But children of the Heavenly King/ May speak their joys abroad/ May speak their joys abroad. (Chor)
  3. "The hill of Zion yields/ A thousand sacred sweets/ Before we reach the heavenly fields/ Before we reach the heavenly fields/ Or walk the golden streets/Or walk the golden streets/.(Chor)
  4. "Then let our songs abound/ And every tear be dry/ We're marching through Immanuel's ground/ We're marching through Immanuel's ground/ To fairer worlds on high/ To fairer worlds on high.(Chor)
Chor) "We're marching to Zion/ Beautiful, beautiful Zion/ We're marcing upward to Zion/ The beautiful city of God."
(Words by Isaac Watts; Music by Robert Lowry)

This, too, is a classic hymn and has been sung for the better part of just over a century (under this arrangement). And considering it was written by two people who have become famous for their contributions to hymn writing (Isaac Watts and Robert Lowry), now may be a good time to start a sub-section in this series of commentaries denoting some of these famous writers.

Going to our Prime Directive "checkoff list" (and for future reference, I probably should create a "checkoff list" version of this), this seems to be a hymn that teaches us about God's willingness to bless us and thus reminding or admonishing us of such.

 The lyrics come from a song that was included in book 2 of Hymns and Spiritual Songs written between 1707-1709 by Isaac Watts (who is considered the father of English hymnody [http://www.britannica.com/EBchecked/topic/637744/Isaac-Watts]) under the title "Heavenly Joy on Earth" (Book 2, incidentally was entitled Hymns. Composed on Heavenly Subjects).  The original version differs in a number of ways from the song we sing today.  First, the last two lines of each verse was only sung once (instead of repeating them, making each verse four lines instead of the six we have now).  Second, there is a total of ten verses with no chorus or refrain (versus the four that we sing today).  Lastly, some of the words from the verses that were retained were changed as well.
Interestingly enough, reading all ten of the original verses may shed some light on some of the verses we currently sing:
  1. Come, we that love the Lord,
    And let our joys be known;
    Join in a song with sweet accord,
    And thus surround the throne.
  2. The sorrows of the mind
    Be banish'd from the place!
    Religion never was design'd
    To make our pleasures less.
  3. Let those refuse to sing
    That never knew our God,
    But favourites of the heavenly King
    May speak their joys abroad. [emphasis added; not certain, but this seems to mark some Calvinist tenet as well, and it may have been good for Robert Lowry to substitute "children" instead.]
  4. The God that rules on high,
    And thunders when he please,
    That rides upon the stormy sky
    And manages the seas. [This reminds me of another verse from "O Worship the King" that we do not usually see or sing; as a second verse it reads "O tell of His might, o sing of His grace/ Whose robe is the light, Whose canopy space/ His chariots of wrath the deep thunderclouds form/ And dark is His path on the wings of the storm"; I understand the writer of "O Worship the King" had his Bible open to the 104th Psalm when he penned those words; apparently Mr Watts had his Bible on a similar page.]
  5. This awful God is ours, [I'm pretty certain that Mr Watts meant "full of awe", as in "awesome" and as a term of reverence, as opposed to "awful" as we currently use to mean "horrible"]
    Our Father and our love,
    He shall send down his heavenly powers
    To carry us above.
  6. There we shall see his face,
    And never, never sin;
    There from the rivers of his grace
    Drink endless pleasures in. [allusions to 1 Corinthians 15 and Revelation 21 I do believe.]
  7. Yes, and before we rise
    To that immortal state,
    The thoughts of such amazing bliss
    Should constant joys create.
  8. The men of grace have found
    Glory begun below,
    Celestial fruits on earthly ground
    From faith and hope may grow. [This explains the next verse, currently our 3rd verse, where it talks about the "thousand sacred sweets" yielded by the hill of Zion "before we reach the heavenly fields...."]
  9. The hill of Sion yields
    A thousand sacred sweets,
    Before we reach the heavenly fields,
    Or walk the golden streets.
  10. Then let our songs abound,
    And every tear be dry;
    We're marching thro' Immanuel's ground
    To fairer worlds on high.
Apparently over the centuries, we have softened over time to where we tend not to sing songs that have more than three verses (sometimes we can have a fourth, maybe a fifth, highly infrequently will we tolerate a sixth verse).  But there is a wealth of information and praise that is included in the full ten verses of this hymn that it's a shame that the musical arranger winnowed it down to only four verses (but added a chorus!).  The fourth verse of this version, at least, would have made this work a psalm that gives high praise to Jehovah's character and power and not simply left it a hymn to remind us of His willingness to bless.
Speaking of the one who composed the music, perhaps my biggest complaint for this song stems from the musical arrangement for it (and this becomes the realm of opinion, and we all know what they say about opinions-- they're like noses: everybody has one and they usually smell).  It is written in a 6-8 time signature.  There is nothing wrong with that, in and of itself, since 6-8 time could be used for either a waltz beat or a marching beat.  However, we usually sing it at such a tempo that it seems more like we are waltzing to Zion.  And although it is possible to sing with a marching beat, some of the words may get slurred from singing so quickly.
Picture if you will singing the song AND marching; in the first verse, a foot would come down for "we", "that", "love", "Lord", "let", "joys", "known" (two steps), "in", "song", "sweet", "[ac-]cord" (foot would come down only for the second syllable), "in", "song", "sweet", "[ac-]cord", "thus" "sur-round" (one step for each syllable), "throne", "thus", "[sur-]round" (second syllable only), "throne" (two steps).  The chorus might be even worse: "march-ing" (one step for each syllable), "Zi-on" (one per syllable again), "Beau[-tiful]" (only for first syllable), "beau[-tiful] (ditto), "Zi-on" (one per), "march[-ing] (first syllable only), "up[-ward] (ditto), "Zi-on" (one per),   It may be that, having been singing it in waltz tempo for so many years, I find it disconcerting (at best) to try singing it in a march tempo.  If someone could make a new arrangement for this in a 4-4/"common" time march beat, we might have an improvement (in fact, if anyone knows about such a version in existence already, please let it be heard!)
Again, I welcome your thoughts…